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2015 studio album by Carly Rae Jepsen

Emotion
Carly Rae Jepsen - Emotion.png

Standard edition cover, deluxe edition cover shows "E•MO•TION" in pink, rather than blue and likewise features bluish lines, rather than pink.
Studio album past

Carly Rae Jepsen
Released June 24, 2015 (2015-06-24)
Recorded Mid-2014 – Early 2015
Studio

Diverse

  • Wolf Cousins Studios
  • P.S. Studio
  • Kinglet Studios; (Stockholm
  • Sweden)
  • Heavy Dunt Studios (Burbank)
  • No Excuses Studio (Santa Monica)
  • Conway Recording Studios
  • Templebase Studios
  • United Recording
  • Paramount Studios
  • The Record Plant; (Hollywood)
  • Echo Studio
  • MXM Studios
  • Venice Way Studios
  • Rocket Carousel Studios; (Los Angeles)
  • Lounge Studios; (New York Metropolis)
  • Kustom Deluxe Studio (Nashville)
  • Monarch Studios (Vancouver)
Genre
  • Popular[ane]
  • trip the light fantastic toe-popular[2]
  • synth-popular[3]
  • disco[four]
Length 44:02
Label
  • 604
  • School Boy
  • Interscope
Producer
  • Ariel Rechtshaid
  • Ben Romans
  • Carl Falk
  • Christopher J Baran
  • Dan Nigro
  • Dev Hynes
  • Greg Kurstin
  • Greg Wells
  • The High Street
  • Jeff Halatrax
  • Kyle Shearer
  • LULOU
  • Mattman & Robin
  • Peter Svensson
  • Rami Yacoub
  • Rostam Batmanglij
  • Shellback
  • Stint
  • Stargate
  • Wouter Janssen
  • Zachary Gray
Carly Rae Jepsen chronology
Kiss: The Remix
(2013) 		Emotion
(2015) 		Emotion Remixed +
(2016)
Singles from Emotion
  1. "I Really Like You"
    Released: March two, 2015
  2. "Run Away with Me"
    Released: July 17, 2015
  3. "Your Type"
    Released: November ix, 2015

Emotion (stylized as E•MO•TION ) is the 3rd studio album by Canadian singer and songwriter Carly Rae Jepsen. It was released on June 24, 2015, in Nihon and on August 21, 2015, worldwide through 604, School Boy, and Interscope Records.[5] [6] [7] [8] Looking to transition from the bubblegum pop-oriented nature of her second studio album, Osculation (2012), Jepsen plant inspiration in 1980s music and alternative styles. She enlisted a team of mainstream and indie collaborators, including Sia, Mattman & Robin, Dev Hynes, Ariel Rechtshaid, Rostam Batmanglij, Greg Kurstin, and Peter Svensson of the Cardigans, culminating in a largely synth-pop-centric endeavor.

Emotion received generally favorable reviews from contemporary music critics, who praised its pop escapism, just were divided over its lyrical content. The album underperformed worldwide, debuting at number sixteen on the Billboard 200 with 16,153 units. Nevertheless, in Jepsen's home country, information technology became her third top ten, peaking at number eight in Canada with 2,600 copies. The album fared better in Japan, debuting at number eight with 12,189 physical copies sold and subsequently existence certified Gold by the Recording Industry Association of Nippon (RIAJ) for shipments exceeding 100,000 copies. Emotion has sold 220,000 copies worldwide and clustered 700 one thousand thousand Spotify streams.

The album was preceded past the release of its pb unmarried, "I Really Like You lot", which reached elevation five in several territories including the United kingdom and Japan. It was followed past "Run Abroad with Me" and "Your Type", the former of which found renewed involvement equally an net meme. Jepsen embarked on the Gimmie Love Tour in support of the album in November 2015, with a 2nd leg commencing in February 2016. In Apr 2016, she toured Canada in support of the album as the opening act for Hedley on their Hello Earth Tour.

In lieu of commercial success, Emotion reinvigorated Jepsen's career equally an "indie darling" , garnering her a cult following.[nine] [ten] [11] [12] The album was shortlisted for the 2016 Polaris Music Prize. A companion EP entitled Emotion: Side B (2016) was released on its first anniversary and features 8 songs that were cutting from the original project.[13] [xiv]

Groundwork [edit]

Post-obit the sudden worldwide success of "Call Me Peradventure" in 2012, Jepsen constitute that the song had become "[this] huge, ginormous thing that actually overshadowed the rest of our project" and farther singles issued from Kiss failed to gain traction.[15] [16] Jepsen viewed her predicament equally an opportunity to retract from the spotlight and contemplate the direction of her next album. She met with her record label and management afterwards The Summer Kiss Tour wrapped upwardly in belatedly 2013, stating: "'I want y'all to put your faith in me that I'll come back when it'due south set up,' and they did and I'm very lucky to have a team that wasn't about trying to mass produce things and was really more looking at the quality of it."[15]

Jepsen spent time regrouping; searching for a "detour" that came to exist in the form of a Broadway role: "I thought, how amazing would it exist to take a left turn, somehow, and still come up back to this? [...] only 'left plow'—I didn't know what that meant."[17] She was approached by the producers of Rodgers + Hammerstein's Cinderella to audition for the titular grapheme, and was formally offered the part after auditioning in Los Angeles and passing callbacks in New York.[17] [xviii] Jepsen assumed the role for twelve weeks from February 2014 to June 2014, and during this time she decided to handle her own A&R. With assistance from guitarist Tavish Crowe, Jepsen began emailing artists she admired to see if they were interested in collaborating, including Tegan and Sara, Rostam Batmanglij of Vampire Weekend and Shellback.[xvi]

Nether the pressure of matching "Call Me Maybe"'s success, Jepsen recorded an entire indie-folk anthology during her run on Cinderella equally an human action of "rebellion".[xix] [xx] Jepsen felt that the demo project was developed for the incorrect reasons–out of superficiality–and it was ultimately scrapped: "I think at that place is a natural rebellion when you have success in one area to completely rebel confronting that. I needed to get that out of my system, I think. I fabricated actually weird music." Jepsen's work on Cinderella provided valuable perspective in terms of being defined by a single attribute, peculiarly from her costar Fran Drescher: "Everyone still calls her 'the Nanny'. I realized you can't give in to other people'due south perception of you. Everyone'due south gonna be known for something."[21]

"[Emotion] had to non be about trying to testify something. I feel like if you're writing music merely to have a different identity in the public's centre, it'due south sort of the wrong motive. It'due south gotta be coming from a place of what yous love and what you're passionate about."[22]

Writing and development [edit]

Due to her dissatisfaction with Kiss's constrained timeframe of 2 months,[23] Jepsen went into Emotion with the intent of crafting a project that was authentic and allowed her to approach different avenues.[24] [25] Whereas Kiss was developed in an acquiescent fashion, every bit Jepsen was merely grateful for the opportunity, Emotion was spurred by her desire to take more than creative control.[26] Jepsen commented that much of the album is about "trying to get some ability back" later on exiting a relationship and later settling down in New York.[27] She sought to channel a "centre-on-your-sleeve sensibility" reminiscent of 1980s pop music after attending a Cyndi Lauper concert in Japan.[28] These themes were further explored through "onetime-schoolhouse" Prince and Madonna records on morning runs before Cinderella rehearsals: "What I loved was how strong some of those [1980s] lyrics were—how heart wrenching, how everyone's tea leaves are merely right there on their sleeve. In music today, everything is a little more coy, merely I wanted that romance and that fantasy, and I recall that a lot of people [my] age do."[27] [ix]

"['80s music] was kind of an escape from reality. There's a flake of fantasy on the album in that we've heightened everything–heightened the love and heightened the drama. [...] I would tell the people I worked with, 'I want that feeling, that yearning, that uhhhhh.' And they were similar, 'OK, you grunted. I think nosotros go information technology.'"[29]

An epiphany came to Jepsen later finishing "Emotion", the album's title rail, where she found that a 1980s pop sound, combined with a more "alternative" production, was what she had been seeking.[25] This fashioned the album's direction entirely–Emotion developed equally a midway point between the "pure" popular she recorded in Los Angeles and the indie-folk effort that was scrapped in New York.[20]

Jepsen combed through Dev Hynes' discography later on becoming infatuated with "Losing You" by Solange, to which she found his name listed in its production credits.[30] Jepsen sought to collaborate, stating she was a fan, which Hynes hesitated to believe. He was eventually "won over" by Jepsen'southward demonstration of her vocal ability and work ethic, and credited her with 18-carat intentions of "[developing] a new artful" versus pursuing "Pitchfork-approved artists" for the sake of indie brownie.[31] The pair worked in a Chelsea studio between Jepsen's Cinderella performances.[26] Hynes sent a demo of what would become "All That", where Jepsen wrote the bridge and produced the vocals herself. Ariel Rechtshaid was brought in for additional work on the vocal.[32] [sixteen] In a like affair, Jepsen'due south admiration of Heaven Ferreira'due south work led her to Rechtshaid and the pair began meeting for coffee dates, figuring out a session date equally he was in the midst of producing with Brandon Flowers.[33] Rechtshaid farther contributed to Emotion by aiding in the selection procedure of its rail list and finalizing the production on its closer, "When I Needed You lot".[32]

Rostam Batmanglij was a prior fan of Jepsen'southward piece of work when he reached out to her in the summer of 2014, after learning that she was in Los Angeles writing with diverse people.[32] Jepsen was "over the moon" and the pair developed "Warm Blood" over the next year, the first verse recorded equally Jepsen sabbatum on the carpet of Batmanglij's dwelling house studio.[34] [35] Batmanglij announced the track's being via Twitter on April 29, 2015.[36]

Jepsen spent a month in Sweden recording for the album, per her label's suggestion.[37] [38] These sessions materialized in its lead unmarried "I Really Like You lot", written with Peter Svensson of the Cardigans, "Your Type" with Rami Yacoub and Carl Falk, and the Mattman & Robin-produced "Run Away with Me" which developed over 2 separate trips to the country.[39] [40] The duo flew to Los Angeles for i last session with Jepsen, finishing "Gimmie Dear" in a day.[41]

Prior to starting full-fledged work on Emotion, Jepsen had sketched several of its demos on her bout bus as she supported Osculation back in 2013.[27] Of these, "Male child Issues" would eventually finalize its form with Sia and Greg Kurstin.[42] Sia wrote the bridge to "Boy Issues", and contributed the outside cut "Making the Near of the Dark", which Sia originally adult with the members of Haim.[43] [44] "I Didn't Just Come Here to Dance" existed equally early every bit 2011 co-ordinate to matching lyrics on a tweet authored past Jepsen.[45] It would eventually be presented to Max Martin after the pair finished work on "Tonight I'g Getting Over You" in 2012; intending to cease their session at midnight, the song compelled Martin to stay for two extra hours.[42] Information technology was confirmed that she had worked with Josh Ramsay, Ryan Stewart, Benny Blanco and Stargate, though none of these producers appeared on the finalized projection.[46] A full of 250 songs were composed over the grade of the anthology'southward development.[47] Speaking to the Herald, Jepsen stated that she worked on Emotion past deadline and finished right earlier its Nihon release engagement on June 24, 2015.[48]

Composition and lyrics [edit]

Emotion contains elements of synth-pop and new wave.[49] [50] [51] Outcome of Audio summed the record upward equally a "more mature, sophisticated version of her [Kiss] hyperpop", Jepsen elaborating: "I wanted to kind of blur the lines of what [a popular anthology] needed to be."[52] [53] She found it a challenge to repurpose the album'southward 80s influences into a mod context without delving into "empty nostalgia", stating that the album is not strictly a "menses slice", but is "tinted with shades of that era".[54] [31] The lyrics on Emotion "shade her quondam ebullience with darker, more circuitous feelings", and information technology is sonically grounded with "earthier textures" from 80s R&B–cleansing herself of the Cinderella performances during the record'southward production.[23] Elsewhere, Jepsen explores funk and disco on "Male child Problems", and house music on "I Didn't Just Come Here to Dance".[55] [56] [57]

Jepsen singled "All That" out as near representative of the goals she sought to accomplish with Emotion. Lyrically: "['All That'] holds a special place in my heart considering information technology is and so revealing: Information technology's talking nigh the desire for intimacy with somebody. And I recollect with songs like 'Call Me Maybe', that tin can be quite low-cal and a petty scrap more surfacey, it's fun to get a little deeper."[54] [53] Jepsen penned "Your Blazon" with Rami Yacoub and Carl Falk at iv in the morning when she was "losing her mind": "They got me hooked for a calendar week on those little fake cigarettes that gustation of strawberries. You can hear it in my vox, I sound all gritty. It's because I was vaping for a week."[58]

"Warm Blood" was produced by Rostam Batmanglij and co-written with Tino Zolfo and Joe Cruz. Information technology initially held the hook "warm love feels good" to which Batmanglij misheard every bit "warm blood", sticking equally its main motif as he was fatigued to its physical rather than abstract connotations.[32] Jepsen explained: "The more nosotros chipped away at it, we couldn't get away from how much better 'blood' felt and how realer information technology was. It's almost like that warm skin or that feeling of intimacy."[34] The song has been noted for its experimental vocal furnishings, with Batmanglij scattering distorted song cuts throughout, a "creepy" quality that the pair immediately liked. Elsewhere, sections of "Warm Blood" were sung in a lower pitch; Jepsen was to re-record these parts as she came to the session with "shot vocals", nonetheless its "smokier" quality abandoned these plans.[59] Brad Nelson of The Guardian compared Jepsen's functioning to that of Ezra Koenig's "machine-produced flexibility" on the Vampire Weekend song, "Diane Young".[threescore]

In a session with Tavish Crowe, the closer "When I Needed Y'all" was written to process a suspension up where Jepsen realizes the faults of her seemingly "perfect" human relationship: "[...] just in club to stay in it, I would have to be quite a dissimilar person than who I naturally am [...] and that sacrifice didn't seem worth it in the end." Dan Nigro and Nate Campany equanimous the "happier-sounding" instrumental, to which Jepsen felt a sense of catharsis in concealing a "very serious" emotion. Ariel Rechsthaid reworked the chord progression in order to invoke a sense of "desperation", droning through it with a serial of bell notes that fabricated the composition audio "a lilliputian bit more somber". The "five-string, funk-R&B" bass line was played by Ethan Farmer, and the drum fill, "an 80s kind-of snare with a big reverb on it," was inspired by John Mellencamp's "Jack & Diane".[61]

"When I'grand Alone", a song written and co-equanimous by Jepsen during sessions for Emotion, was eventually purchased past SM Amusement and given to K-popular girl group f(10) for their album 4 Walls.[62] "Cut to the Feeling" and "Runaways", both written by Jepsen during sessions for Emotion, were recorded for the soundtrack of the 2016 film Ballerina.[63] "Wildflowers", a song written during the sessions for Emotion which leaked online in 2016, was covered by Elle Fanning for the soundtrack of the picture Teen Spirit (2018).[64]

Title and artwork [edit]

Eternal Summer was a running contender for the anthology's title, in reference to Los Angeles existence an "eternal summertime in sunshine" where time perspective is lost.[14] [16] It originated from the vocal "Eternal Summertime" which Jepsen developed for a scrapped indie-folk effort; the song was ultimately cut from Emotion besides. Per suggestion from her A&R, the vocal "Emotion" was retrofitted equally the album's title as Jepsen was fond of its strength, both as a one-discussion title and its complexity equally a concept.[65] Jepsen further stated that the song "Emotion" itself encapsulated her feelings of clarity, equally its writing process steered her in the direction of "'80s emotional pop". Jepsen was "sold" on the title Emotion subsequently she was sent its phonetic spelling, which is reflected in its stylization (E·MO·TION).[65]

The album artwork features Jepsen sitting in a reserved position equally she dons a technicolor sweater and black tights: "In that location were a few unlike pictures that had more of a decided facial expression, but I kind of liked the fact that I can't totally read what I was thinking in that motion picture. It could be many things, and this anthology, to me, was sort of a drove of many different emotions."[65] [66] The artwork'south typography bears the lexicon entry of "Emotion" as a substantive.[67]

Release and promotion [edit]

Jepsen during her Gimmie Love Bout in Salt Lake Metropolis on March iv, 2016

Jepsen announced the title of the album on April 11, 2015, and released the comprehend artwork on April 15, 2015.[68] The rail listing was unveiled on June 2, 2015.[69] The album's lead single, "I Really Like Y'all", was released to the iTunes Store on March 2, 2015. The song reached the superlative 40 in Australia, Canada, Japan, and Netherlands, and has reached number 39 on the US Billboard Hot 100, number three in Ireland and on the Great britain Singles Chart, and number 1 on the Scottish Singles Chart. The music video was released on March vi, 2015, featuring Tom Hanks and Justin Bieber. The anthology's promotion was kicked off with a live performance of "Actually Like Y'all" at Good Morning America on March 5, 2015. "All That" was issued as the outset promotional single on April 5, 2015. The post-obit day, Jepsen performed the track at Saturday Night Live.[70]

Jepsen at Capital Pride in 2015, where she performed several songs from Emotion

On May 1, 2015, Jepsen performed "Run Away with Me", "Emotion", "Your Type", "Black Heart" and "Gimmie Beloved" at a bear witness in Beijing, Red china.[71] The album's championship-rail was released on June 3, 2015.[72] [73] "Run Abroad with Me" and "Your Blazon" besides premiered on a Spanish radio station prior to the album's release on June 22, 2015. "Run Away with Me" was released equally the album's 2nd single on July 17, 2015.[74] The music video for "Run Abroad with Me" was released on July 17, 2015 and directed by Jepsen's former boyfriend, David Kalani Larkins. The video was filmed in Tokyo, New York Urban center, and Paris.[75] The rails was premiered on Striking FM in Spain on June 22, 2015.[76] "Warm Blood" was released as the second promotional single on July 31, 2015. "Making the Near of the Nighttime" was released as the third promotional single on August 7, 2015. "Your Blazon" was released equally the fourth promotional single on August fourteen, 2015.[77]

On August 21, the release appointment of Emotion in the United States, Jepsen performed "Run Away with Me" on Today. During her tour in South Africa in October 2015, she performed "Run Away With Me" on Idols Southward Africa. "Your Blazon" was re-released equally the third official single on November ix, 2015, in Europe.[78] An official remix bundle was released on December 11, 2015, in Europe and Oceania and on December 18, 2015, in North America.[79] Its music video, directed by Gia Coppola, premiered November 3, 2015, and follows Jepsen on a Cinderella-inspired story where her character fantasizes about condign a popular star.[80] [81]

A music video for "Boy Problems" premiered on April 8, 2016. It was directed past Petra Collins and stars Tavi Gevinson, Barbie Ferreira, Paloma Elsesser, among others.[82] [83]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
AnyDecentMusic? 7.3/x[84]
Metacritic 77/100[85]
Review scores
Source Rating
AllMusic [86]
The A.V. Club B+[87]
Consequence of Sound B+[88]
Entertainment Weekly A−[ii]
The Guardian [89]
NME 7/10[90]
Pitchfork 7.4/10[i]
Rolling Stone [91]
Slant Magazine [92]
Spin 7/10[93]

Emotion received positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 77, based on 24 reviews.[85] The album was praised for its "pop perfection" in catchiness, cohesion and production value.[94] [95] [96] Sasha Geffen of Effect of Sound wrote, "Few artists take taken a logarithmic hit similar "Call Me Maybe" as a sign to push even further, to make something improve, more human, and more electrical. But Jepsen is the kind of vocalist who thrives on the stakes that unapologetic pop music offers."[88] Annie Zaleski of The A.V. Club said, "If there's any justice, Emotion will propel her to superstardom—but even if it doesn't, she can at least rest easy knowing she made one of 2015's almost interesting, effervescent records."[87] Peter Tabakis of Pretty Much Amazing stated that "Emotion is so good, it's formed sky-loftier expectations out of thin air."[97] Slant Magazine's James Rainis writes, "Emotion is farther proof that Jepsen is capable of translating broadly understood emotions and experiences into unshakable earworms."[92]

Opinion was divided over the album's lyrical content, which some reviewers have deemed as immature or bland.[94] Corban Goble of Pitchfork commented, "It's unfair to deeply scrutinize lyrics on a pop tape—the goal is to write smart, but skew wide—but Emotion fails to tell us who Jepsen is or wants to be."[i] Her "absence of an identity" was farther compared to her contemporaries for their image-conscious work.[92] While Adam Downer of cokemachineglow opines that the anthology's "retro-popular bliss without angle or ego lends it a refreshingly timeless quality", further contexualizing it [in] "a year where popular stars fight for brand supremacy"; Alexis Petridis of The Guardian states that the upshot isn't Jepsen being without an "outrageous, headline-grabbing persona" like Rihanna or Miley Cyrus but that "she doesn't do anything to stamp her identity on the songs [...] Information technology'south one problem that all the expensive names in the credits can't solve."[89] Similarly, Jon Caramanica of The New York Times scrutinizes the heavy-lifting done past Emotion'south cast of collaborators: "Maybe Ms. Jepsen's choices merely reinforce the new centrist pop model of '80s sleekness [...]; merely why autumn under the spell of someone else'due south absurd when yous tin luxuriate in the stink of your own cheese?"[98]

In a more negative review, Billy Hamilton of Under the Radar critiques the poptimism narrative surrounding Jepsen and her perceived effort to appease "indie tastemakers", regarding her every bit "the pet project of a creative hipsterati that's determined to prove popular is cooler than you, or I, could perhaps ever imagine," further expressing that "Carly Rae Jepsen and her production squad try overly hard to exist clever."[99] In a like conclusion, Evan Sawdey of PopMatters writes that "Emotion is still a very pleasing album if non but a shade overambitious, clearly trying too hard to brand the same genius popular moments that Kiss churned them out with effortless flair."[100]

Year-end lists [edit]

Jepsen during Gimmie Love Tour in San Francisco on February 27, 2016

Decade-end lists [edit]

Commercial functioning [edit]

The album debuted at number 16 on the US Billboard 200, earning 16,153 album sales in its first week. By the cease of 2015, Emotion had sold a full of 36,000 copies.[139] In Canada, the album debuted at number 8 with 2,600 copies sold in its outset week. In Japan, the album debuted at number 8 with 12,189 physical copies sold in its start calendar week. On April 2, 2016, Jepsen revealed via Twitter that Emotion was certified aureate by the Recording Industry Association of Japan, having sold over 100,000 copies at that place, these copies represent concrete sales of the album only.[140] The anthology entered the Uk Albums Chart on September 25 at number 21 with sales of half-dozen,000 copies in addition to streaming figures.[141]

Legacy [edit]

Emotion is considered a crucial factor in Jepsen'south "unlikely" career trajectory, following her stint on Canadian Idol and the ubiquity of "Call Me Maybe" to "cult idol".[142] [143] Marked as a transitional piece, publications commended Jepsen for cultivating her sound, which "[reestablished] herself as a popular star for grown-ups".[144] [145] Carrie Battan of the New Yorker posed that Emotion spared Jepsen from "falling to her death" and instead descended her to the bottom akin to a rising "mindie" creative person, online buzz and "cloak-and-dagger cred" in tow: "Jepsen, the woman backside ane of the biggest songs of this century, now resembles someone whom she never had the opportunity to become at the start: an indie darling."[x]

Emotion was labelled a "commercial flop" as its promotional bike waned.[146] [147] James Rettig of Stereogum writes, "The lead-upwards to Emotion played out similar a lesson in what not to do with a pop vocaliser sitting precariously on the edge between cultural ubiquity and cult post-obit."[148] Some blamed its promotional gyre-out, with a Japanese release arriving two months alee and therefore susceptible to leaks. Elsewhere, others focused on artistic choices–Rettig criticized "I Really Like You" as pb single, the "near damaging misstep" that hindered Jepsen's ability to showcase her creative growth.[148] FasterLouder's Jules LeFevre noted that Jepsen'due south conclusion against promoting any archetypal identity rendered herself "indistinct" in the "crowded pop landscape".[149]

The tape grew to become a cult hit with Jepsen labelled as an "underdog" equally it spread by word-of-mouth.[148] Whereas music critics were "compelled by the narrative of a one-hit wonder trying to rebuild herself", as quipped by Battan, Caitlin White of Uproxx writes, "I recollect Emotion wouldn't be every bit meaningful if we had to share it with capitalism'south steely mechanism; its commercial failure is role of what makes it go along to feel intimate, ours."[10] [150] Emotion is noted for garnering Jepsen a large LGBTQ audience,[151] [152] [153] Brandon Tensley of Pacific Standard opining that her music "taps into a shared queer history of escape, possibility, and disappointment", likening her to Kylie Minogue.[154]

NPR called Emotion a "modernistic touchstone", by which they compared the Aces and Paramore's Subsequently Laughter (2017) to.[155] In developing her EP Now That the Light Is Fading, Maggie Rogers resolved to make pop music later beingness inspired past Emotion.[156] Jay Som counts Jepsen every bit a notable influence on her debut anthology Everybody Works: "I felt very assertive with [Everybody Works] because I was likewise listening to her music. I liked how energetic and youthful the spirit is—and information technology'southward just so non ashamed to be this pop tape."[157] A tribute album was released digitally past Something Merry on November 21, 2018. The album is a rail-by-rails cover of Emotion, including covers made by Wild Pinkish, Cheer Up, Future Teens, Gabe Goodman, Good Looking Friends, Kiki Maddog, Lilith, Mandancing, oldsoul, Photocomfort, Pushflowers, the Aux, the Superweaks, Tuft.[158]

Runway list [edit]

Standard edition[159]
No. Title Writer(s) Producer(southward) Length
one. "Run Away with Me"
  • Carly Rae Jepsen
  • Mattias Larsson
  • Robin Fredriksson
  • Shellback
  • Oscar Holter
  • Jonnali Parmenius
  • Mattman & Robin
  • Shellback
  • Tim Blacksmith
  • Danny D.
 4:11
2. "Emotion"
  • Jepsen
  • Nate Campany
  • Ben Romans
  • Christopher J Baran
  • CJ Baran
  • Romans
 iii:17
3. "I Really Like Y'all"
  • Jepsen
  • J Kash
  • Peter Svensson
  • Svensson
  • Jeff Halatrax
 three:24
4. "Gimmie Love"
  • Jepsen
  • Larsson
  • Fredriksson
 Mattman & Robin three:22
5. "All That"
  • Jepsen
  • Devonté Hynes
  • Ariel Rechtshaid
  • Rechtshaid
  • Hynes
 4:38
half dozen. "Boy Issues"
  • Jepsen
  • Sia Furler
  • Greg Kurstin
  • Tavish Crowe
 Kurstin 3:42
7. "Making the Near of the Dark"
  • Furler
  • Samuel Dixon
  • Emre Ramazanoglu
  • Danielle Haim
  • Alana Haim
  • Este Haim[a] [44]
  • Jepsen
 The High Street 3:58
viii. "Your Type"
  • Jepsen
  • Rami Yacoub
  • Carl Falk
  • Wayne Hector
  • Crowe
  • Falk
  • Yacoub
 3:19
9. "Allow's Get Lost"
  • Jepsen
  • Baran
  • Romans
  • Baran
  • Romans
 3:13
10. "LA Hallucinations"
  • Zachary Gray
  • Ajay Bhattacharyya
  • Jepsen
  • Stint
  • Grey
 3:04
11. "Warm Blood"
  • Jepsen
  • Rostam Batmanglij
  • Tino Zolfo
  • Joe Cruz
 Batmanglij 4:13
12. "When I Needed Y'all"
  • Jepsen
  • Rechtshaid
  • Daniel Nigro
  • Nate Campany
  • Crowe
  • Rechtshaid
  • Nigro[b]
3:41
Total length: 44:02
Deluxe edition[160]
No. Championship Writer(s) Producer(due south) Length
13. "Black Eye"
  • Jepsen
  • Greg Wells
  • E. Kidd Bogart
 Wells 2:56
14. "I Didn't Merely Come Hither to Dance"
  • Jepsen
  • Zolfo
  • Cruz
  • LULOU
  • Wouter Janssen
  • LULOU
  • Wouter Janssen
 3:39
fifteen. "Favourite Colour"
  • Jepsen
  • Larsson
  • Fredriksson
  • Crowe
 Mattman & Robin iii:29
Total length: 54:06
Target, Japanese and deluxe expanded edition bonus tracks[161]
No. Title Writer(s) Producer(s) Length
16. "Never Go to Concord Y'all"
  • Jepsen
  • Campany
  • Kyle Shearer
  • Crowe
 Shearer iv:thirteen
17. "Love Again"
  • Jepsen
  • Campany
  • Baran
  • Crowe
 Baran 3:35
Full length: 61:54
Japanese bonus track[162]
No. Title Writer(southward) Producer(s) Length
18. "I Really Like You" (Liam Keegan Radio Edit)
  • Jepsen
  • Kash
  • Svensson
  • Svensson
  • Halatrax
  • Keegan[b]
3:09
Full length: 65:03
Japanese palatial edition – bonus DVD[163]
No. Title Length
1. "I Actually Like You" (music video) 3:30
ii. "I Actually Similar You" (behind the scenes) iv:23
3. "The Making of East•MO•TION" (studio webisode part one) 0:52
4. "East•MO•TION – International EPK" 9:23

Notes

  • ^[a] Although credited as 'The Trinity', the components of the band Haim are the names behind this pseudonym.
  • ^[b] signifies an additional producer

Personnel [edit]

Credits per the liner notes of Emotion.[67]

Music [edit]

  • Noonie Bao – bankroll vocals (track ane)
  • CJ Baran – all instruments (tracks 2, 9, 17)
  • Rostam Batmanglij – keyboards, piano (track eleven)
  • Ajay Bhattacharyya – synths (track x)
  • Peter Carlsson – solina (rail 3)
  • Samuel Dixon – electric guitar, audio-visual guitar, bass guitar, synths (track 7)
  • Carl Falk – instruments, guitars (track 8)
  • Ethan Farmer – bass (tracks 5, 12)
  • Wojtek Goral – saxophone (runway 1)
  • Oscar Görres – backing vocals (track 1)
  • Zachary Greyness – bass, synths (track 10)
  • Jeff Halatrax – drums, synths, keyboards, bass (rails three)
  • Svante Halldin – violin (rail 4)
  • Oscar Holter – bankroll vocals (rails one)
  • Devonté Hynes – guitars (rails 5)
  • Wouter Janssen – all instruments (rail 14)
  • Carly Rae Jepsen – lead vocals (all tracks); backing vocals (track 1)
  • Jakob Jerlström – backing vocals (track 1)
  • Tommy King – keyboards (track 12)
  • Daniel Farrugia - keyboards, piano (track five)
  • Greg Kurstin – bass, drums, guitar, keyboards (track six)
  • Katerina Loules – backing vocals (rail xiv)
  • Lukas "Lulou" Loules – all instruments (track 14)
  • Roger Manning, Jr. – synthesizers (runway 5)
  • Mattman & Robin – backing vocals, bass, drums, percussion (tracks 1, 4, 15); guitars (tracks 1, iv); vocoder, synths (rails 15)
  • Missy Modell – backing vocals (track 3)
  • Daniel Nigro – guitar (runway 12)
  • Emre Ramazanoglu – synths, percussion, drums (rail 7)
  • Rami – instruments, bass (track eight)
  • Ariel Rechtshaid – synthesizers, percussion (track 5)
  • Sibel Redžep – backing vocals (rails 1)
  • Ben Romans – all instruments (tracks 2, 9)
  • Ludvig Söderberg – backing vocals (rails i)
  • Marlene Strand – backing vocals (track 8)
  • Peter Svensson – drums, synths, keyboards, bass, guitar (track iii)
  • Greg Wells – drums, synths (track 13)

Production [edit]

  • Henrique Andrade – engineering assistance (rail 7)
  • CJ Baran – production, programming (tracks two, nine, 17)
  • Rostam Batmanglij – product, engineering, drum and synth programming (rail eleven)
  • Ajay Bhattacharyya – production, recording, pulsate programming (track ten)
  • Mikaelin 'Bluish' Bluespruce – recording (runway 5)
  • Mario Borgatta – mixing assistance (runway 10)
  • Julian Burg – engineering (rails half dozen)
  • Martin Cooke – engineering assist (track 10)
  • Rich Costey – mixing (rail 10)
  • Tom Coyne – mastering (tracks 1–4, eight)
  • John DeBold – engineering assistance (tracks five, 12)
  • Samuel Dixon – programming (track 7)
  • Micky Evelyn – engineering assistance (track 5)
  • Eric Eylands – engineering assist (track three)
  • Carl Falk – production, programming (runway 8)
  • Nicholas Fournier – engineering assist (runway 10)
  • Kyle Gaffney – engineering assistance (track 14)
  • Chris Galland – mixing assistance (tracks 6, 12)
  • Serban Ghenea – mixing (tracks i–4, viii)
  • Zachary Gray – production, recording (rail 10)
  • Gene Grimaldi – mastering (tracks 6–7, nine–17)
  • Josh Gudwin – vocal production, vocal recording (rails 7)
  • Jeff Halatrax – production, engineering, programming (track iii)
  • John Hanes – mix engineering (tracks 1–4, 8)
  • The High Street – product (track 7)
  • Devonté Hynes – production, programming (runway 5)
  • Chris Kasych – applied science (tracks 11–12)
  • Greg Kurstin – production, engineering (track 6)
  • Lukas "Lulou" Loules – product, engineering, mixing (rails fourteen)
  • Eric Madrid – mixing (tracks vii, 13, 15)
  • Manny Marroquin – mixing (tracks 6, 12)
  • Mattman & Robin – production (tracks i, 4, 15); programming (tracks i, 15)
  • Mitch McCarthy – mixing (tracks xvi–17)
  • Scott Moore – engineering (rail 4)
  • Daniel Nigro – boosted production, programming (rails 12)
  • Robert Orton – mixing (tracks 5, eleven)
  • Alex Pasco – engineering (track 6)
  • Noah Passovoy – additional vocal recording (rails 15)
  • Emre Ramazanoglu – programming (track seven)
  • Rami – production, programming (track 8)
  • Ariel Rechtshaid – production, programming (tracks 5, 12); recording (rails 5); engineering, pulsate programming (track 12)
  • Ben Romans – production, programming (tracks two, 9)
  • Volition Sandalls – engineering (track sixteen)
  • Matt Schaeffer – applied science help (tracks 14, 16)
  • Ike Schultz – mixing assistance (tracks half dozen, 12)
  • Wesley Seidman – recording (rails 5)
  • Kyle Shearer – product (track sixteen)
  • Shellback – production (track ane)
  • Laura Sisk – additional engineering (runway 12)
  • Stint – production (track 10)
  • Shane Stoneback – technology (track 11)
  • Peter Svensson – production, engineering, programming (track 3)
  • Juan Carlos Torrado – engineering science assistance (tracks 3, 17)
  • Randy Urbanski – engineering (track 4)
  • Jaime Velez – engineering assistance (track 3)
  • Robert Vosgien – mastering (track v)
  • Vincent Vu – mixing assistance (tracks seven, 13, 15)
  • Greg Wells – production, programming (rail 13)
  • Wired Masters – mastering (track 14)

Business [edit]

  • Scott "Scooter" Braun – executive production, A&R, management
  • Greg Carr – marketing coordination
  • Lisa DiAngelo – publicity
  • John Ehmann – A&R
  • David Gray – A&R
  • Pamela Gurley – legal representation
  • Brad Haugen – marketing, creative direction
  • Laura Hess – management, marketing
  • Dyana Kass – marketing
  • Allison Kaye – management
  • Steve Kopec – direction
  • Evan Lamberg – A&R
  • Kenny Meiselas – legal representation
  • Katherine Neiss – A&R coordination
  • Olivia Zaro – A&R

Packaging [edit]

  • Jessica Severn – art management and blueprint
  • Karla Welch – styling
  • Matthew Welch – photography

Charts [edit]

Certifications [edit]

Release history [edit]

References [edit]

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Source: https://en.wikipedia.org/wiki/Emotion_%28Carly_Rae_Jepsen_album%29

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